That 80s Dress With The Ruffles {Vintage Simplicity 5884}

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If you follow me on Insta, you would have noticed that I’ve been getting into a bit of pants (sorry UK friends – trouser) sewing lately. I bought the Jedediah Pants pattern by Thread Theory and figured I’d start with sewing pants for my husband since he’s a bit less curvy than me. He’s actually the complete opposite of me – tall, angular and mostly straight lines. I made one muslin, a couple of changes and bam – now he has three pairs of pants (which I’ll blog when I can photograph them all on his person). Did I get cocky? Yes. I moved onto Closet Case Patterns Morgan Jeans for me. Oh man, what a steep and painful learning curve. Long story short – even after two muslins I can’t get any semblance of fit.

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So what’s a girl to do to come back from such a knock to the ego? She bloody digs through her gifted vintage pattern stash and finds something to reassure herself that she can actually sew. An elastic waist almost guarantees that baby will fit.

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I’ll admit I did hesitate. I mean, look at it in all its 1983 glory. It could be amazing or really, really bad. There is no middle ground with a pattern like this.

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Did I sew that sucker anyway? Of course! I do love me a frill and they are bang on trend right now. Not that I’m a huge follower of trends, but frills man – so fun.

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I sewed this one out of a super light and floaty Lizzy House double gauze (I bought mine locally and I’m not sure it’s even available anymore). If you’ve never used double gauze before, let me try and describe it for you. It’s a bit like a Labrador puppy (stay with me) – soft as hell, cute as a button but does like to roll over on itself and misbehave in a ridiculous manner. Plus it sheds like crazy. It needs a firm but gentle hand or it will end you (or itself when it throws itself under the overlocker blade – fabric, not puppy – the puppy analogy ended).

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I think after the ruffles and the forgiving waist, the coolest part of this pattern is the rad way the back is finished. On modern patterns with the keyhole back, I’ve only ever seen them finished by slashing the back and wrestling with a very narrow seam allowance to stitch down either side. This way is so much neater and easier! You sew the facing around the neckline and then stitch down the back to a point (through the back and facing) and back up. Then you slash between your two stitching lines to get the back opening. It’s super cool (and I might have been living under a rock but I’ve never seen it before). I do find I learn new techniques from vintage patterns.

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To be honest though, I really wasn’t sure how this would turn out until the very end. I’d decided to attempt sleeves because I really do prefer them, but I knew those puffy delights on the pattern weren’t for me. I decided to make them but leave off the gathering into the cuff on the bottom – I figured they’d be more like flutter sleeves that way. ALMOST RIGHT KATIE. But I forgot one thing – the metric shit tonne of ease in the sleeve caps. OMG. It was like gathering another skirt. Those babies stood out all on their own with structure never seen before in double gauze, no doubt. Those sleeves were turfed into the bin, I dug out the sleeve pattern pieces and traced it again, this time taking a couple of wedges out of the cap. Not technically correct I’m sure, but it worked very well.

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Feeling pretty damn pleased at my problem solving skills, I tried the dress on before hemming. Oh wow, I nearly cried – frump city. The skirt hit me between the shin and ankle and was very very ‘sister wife’ looking. I had nothing to lose, so I cut 15cms off the bottom, hemmed it and tried it on with a belt. YASSSSSS. It was just as I’d hoped. It’s truly amazing what a hem and a belt can achieve.

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I was so damn pleased with my frilly 80s secret pjs, that I went up to my sewing room and grabbed this beautiful nautical print from The Material Girl that I’ve been saving for something special.

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Isn’t it amazing? Bearded sailor, pretzel rope – what’s not to love? I only had 2m so had to forgo my precious sleeves. If it comes to it, I can wear a cardi or a fitted t shirt underneath.

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I sized down for this one as the gauze one is slightly blouse-y and because I was using a quilting weight (although incredibly soft for qc) cotton this time, I thought it would be better a bit smaller. Also that clever back facing wants to flip on this version, so I’ve stitched it down.

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I love this dress so much that you might just see its friends appear in the shop eventually…

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Take Two and Three {My quest for the perfect button up shirt}

So this guy, right? Pretty close to perfect. But could I leave it alone? No.

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My only bother was the collar felt too big – both in size and circumference. So what does this dickhead do? Retraced the neckline so it’s smaller but higher. If I’d stopped to think about that for more than a second, I’d realise that it was a rookie error and would make the whole shebang move further up my neck. I did cut down the collar and stand a smidge at the same time.

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Upon realising my mistake, I unpicked the collar and stand, recut the neckline so it was lower once again and made another collar. Which gave me this baby. Aw yes, better. Now to try on…

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WTF HAPPENED WITH THOSE BUST DARTS? Is this sorcery? Did I trace them with my eyes closed? Possibly. I don’t even know, man. Also that collar in sitting weirdly to the left. Now I have beautiful vintage Lion King fabric in a poorly fitting shirt.

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Ah well. Still a better fit than RTW. Will still wear.

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Last week, I ordered some beautiful Liberty lawn. So stunning. So spenno. Another tester was in order to get this shiz right before I cut into all those $$$$. This flamingo voile from Spotlight is the perfect test fabric really. Lovely and light but also reasonably priced. This time I took about a centimetre off the centre front all the way down, making that neck circumference a bit smaller and taking out some of the excess in the front. Good. I added some to the side seams to compensate and moved those bust darts in a bit. Good. New, smaller collar remained the same. Good.

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I think this is it. I mean, the collar still feels a bit big around my neck, but I don’t really like the feeling of being choked either. So this is the one. Promise I won’t touch it again.

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Wearing this to work today like a professional. Will be back with my fancy Liberty shirt later in the week.

That 70s Dress That’s A Gunne Freaking Sax {Vintage Simplicity 9008}

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If you’re all like ‘WTF is a Gunne Sax, ya big weirdo?!’ it’s totally fine. Here’s a bit of info –Β  basically it’s a clothingΒ  label that was successful in the 1970s and known for its prairie, Victorian and Edwardian styled designs. Gunne Sax only came to my attention recently when I watched the Netflix series ‘Girlboss’, which is based on Sophia Amoruso’s autobiography and tells the story of how she started selling vintage clothing on ebay.

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Obviously though, by the time 1979 had rolled around (the year Simplicity 9008 was published), there was less lace and high collars and more of the above. Apparently the designer had moved towards creating dresses with prom dress features. Still, I was kind of taken by this baby when I found her in my vintage stash yesterday. It was originally given to me in about 6 boxes of vintage patterns which is why my memory of it is a touch hazy.

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So I was digging through my vintage pattern stash, wanting to make something different and found this one right at the bottom. That 50s shape spoke to me – the full skirt and that collar are beautiful. I very rarely wear dresses without sleeves, but I’m making an exception for this one. Plus I thought it might be cute with a little tshirt underneath or I can always wear a little wrap top over it.

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Deciding on fabric was hard. I wanted something I wasn’t hugely attached to as this would basically be a muslin – one I hoped would be wearable, but considering the grading up I had to do, I was unsure. I hate wasting fabric but I also hate spending hours sewing without being able to wear the finished product. Another thing – it’s bloody massive. I had 4m of the bear cotton/linen and I only just managed to tetris the dress out of it (I did use plain black lawn for the facings). Being directional obviously added to the challenge. The fabric was originally intended for dresses to sell, but after I washed it the black faded really unevenly and I didn’t really want to pass that on to paying customers. So in the end it was perfect for my sorta muslin.

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See that skirt? There’s eleven panels in that sucker. Thirty pattern pieces in total. Thirty-four if you count the pockets. I think it’s fuller than a normal circle skirt, my petticoat barely makes a difference.

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I didn’t change a whole lot beyond grading it up. I just followed the pattern pieces of a princess seamed dress that fits me well and it worked pretty successfully. Once I’d redrawn the bodice pieces, I lined them up to see how much I had to add to the skirt pieces (not much surprisingly, although the 3cms added to the bodice is spread pretty thinly over all those skirt panels).

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Redrawing the bodice pieces meant also redrawing the collar and facing pieces and I ended up slightly off with my collar pieces unfortunately. They just don’t quite reach in the centre. Not a big deal though and I’ll correct that for next time.

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Next time? Oh yeah. It’s taking all I have not to make another one of these ASAP.

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Slip, Slop, Slap…. Iced Vovo. {Megan Nielsen Rowan x Spoonflower}

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Recently, the legends at Spoonflower got in contact and asked if I’d like to take part in a little blog hop they’re organising to show how makers around the world are celebrating the holiday season. They suggested that perhaps I’d like to make an Australian themed swimsuit or similar from their sport lycra (which is the tits and I’ve used many times). WOULD I? Of course! This time of year is alllllll about the water based activities for us. While half the world is freezing their butts off and singing about letting it snow, we are sweating and eating mangoes in the pool.

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Now, if you are Australian you’ll totally get the references in the title. If you’re not, let me explain the Australian summer to you (at least in my neck of the woods, we’re a big country, it varies a lot), our sun will burn you in minutes. The whole ‘slip, slop, slap’ thing was a campaign launched by the Cancer Council in 1981 (the year I was born!) and refers to slipping on a shirt, slopping on some sunscreen and slapping on a hat. Apparently it’s one of the most successful health campaigns in Australian history. There you go. No wonder the jingle has been stuck in my head for 36 years.

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And iced vovos are a pretty iconic biscuit made by Arnott’s (which is no longer an Australian company, but lets ignore that). I have very fond childhood memories of iced vovos with tea.

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I was browsing through Australian designer’s stores on Spoonflower, looking for a print that would fit the brief, when I stumbled across Natalie’s amazing iced vovo design. YAS. This was it. I knew what it had to be – a rashie that I could easily create from Megan Nielsen’s (another Aussie, can you see how loyal I’m being here?) Rowan pattern.

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So while Rowan isn’t technically a rashie pattern, I have made swimmers from it quite successfully before. This time was even more simple – I used the t shirt version of the pattern, added a seam allowance to the front pieces for the zip and cut it in two pieces instead of cutting it on the fold. Easy.

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I sewed most of it up in about 15 minutes on my overlocker, finishing the centre front edges, hem and sleeves – which isn’t even necessary because the lycra won’t fray, it just looks nice.

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While you can sew the band on folded, I decided not to. I wanted to encase the scratchy edges of the top of the zip in the neck band – even though when I checked my RTW rashie I found out it wasn’t done this way.

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Just a warning, attaching the zip might make you cry a little bit. To make it less painful, you can add some fusible tape to the edge of the fabric, but if you find that’s not enough (like I did), heavier interfacing is better. Basting helps too but I found that it’s not enough on its own to stop the fabric stretching.

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After that I just pinned the rest of the neck band in place and zig zagged it above the neckline seam. I finished the hem and and sleeve hems with a zig zag too, you need lots of stretch for this baby.

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I managed to piece together my scraps to get a matching pair of bikini bottoms. I didn’t have enough fabric for my usual high waisted pair (pattern cloned from my favourite pair of RTW knickers), so they are lower than usual and I didn’t have enough for the top band either. Still, they aren’t bad and I do like making the most of my fabric scraps. Ooh and the bottoms are lined for obvious reasons. The rashie isn’t because I’ll always wear a bikini top under it for support. Or it will go over something else in a fantastic clash of prints.

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Spying on my neighbours.

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Submerged.

Yes there’s a dolphin in our pool, his name is Dave. He was there when we bought the house although we didn’t know it at the time because the whole thing was pond green.

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If you ever need a reminder that you are not a graceful mermaid, just get some photos of yourself underwater. YOU’RE WELCOME.

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If you made it this far through my incessant chatter, I have a reward for you – use the code katie17 to get 10% off your Spoonflower purchases until the 31st of December. Happy Dance!

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Taking The Theme and Running With It {Butterick 6483}

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This fabric. It makes me sigh. I love that whole vintage beach vibe. It’s too good. I’d seen a couple of my favourite sewing bloggers (Roisin and A Million Dresses) use it and then I spotted Sew Positivity had also scored some. I made a cheeky comment about how jealous I was and do you know what sweet, sweet Elle did? She bloody went and found some for me and had it shipped here from the UK. What a legend.

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And one night while that delicious fabric was winging its way down under, I sat down for a solo Netflix viewing of the girliest movie I could tolerate. I settled on ‘You Before Me’. It was actually quite enjoyable. I admired Lou’s (Emilia Clarke) wardrobe through the whole thing (if you’ve seen it, you’ll understand) but my heart skipped a little beat when this scene graced my screen in full colour.

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OMG, that’s my bloody fabric!

Heck yes it is. Turns out, the outfit is Ralph Lauren and was sourced from the chain store TK Maxx. You can read about that here.

It’s actually a top and a skirt.

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The universe wanted me to own this fabric, I know it.

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The day it arrived on my doorstep, it was washed, dried and in pieces within a couple of hours. No mucking around here. I had my future sister in laws hens day coming up and the theme was ‘island princess’. This fabric was perfect for it.

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I’d already toiled Butterick 6483 so there were no hold ups in getting this baby done. The biggest change was a 2 inch full bust adjustment. You might have seen my otter version of this dress, which is actually my second version. This is the first but I was waiting on my red frog closures for a really long time so I’ve only just got around to photographing it. Big props to Tea Dust and Stitches who scored me the frogs, I am still waiting on a pair from China some 6 weeks later. This dress has taken a village.

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So. The whole thing sewed up like a dream. No issues whatsoever. The linen is superb to sew with and is lovely to wear. I popped a pocket in the right side seam and there is a zip in the left.

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A mandatory requirement of the hens party was a flower crown. I searched the shops up here but we really don’t have that much variety. Plus I was really keen on having some native flowers in mine. Preferably yellow or red to match my dress. I hit Spotlight and found this wattle. It was perfect. I grabbed some ivy to fill it out and also wire from the millinery section. I measured out some wire against my head and went to work, winding everything around it. Then I secured some parts down with green thread so it sat a bit flatter. A hack job because I had no idea what I was doing, but it ended up working quite well.

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You should have seen us in all our flower crowned glory last night, downing espresso martinis and generally just being fabulous. It was a sight to behold.

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Stay Puft {Old numberless dress pattern from vintage Ghostbusters sheet}

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‘The Stay Puft Marshmallow Man (also known as Mr. Stay Puft or nicknamed ‘Tubby Soft-Squeeze’ by Ray and Peter) was the final enemy of the Ghostbusters in the first film. He was the chosen Destructor Form of Gozer…’

I had to Google it. I couldn’t remember if he had a legit name.

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Ebay. She’s been good to me over the years. I’ve never really had a bad experience, but this one was borderline. Being a fitted sheet that is nearly as old as me, I expected some wear and tear. I’m a realist. The listing described the condition as ‘has some wash wear’. Mate, it’s threadbare. It was like sewing with tissue paper. Also ‘one small stain’ roughly translated to ‘has multiple brown stains that I really don’t want to think about too hard’. To be honest, I was pretty disappointed when this arrived in the post from the US. But onward, right? I soaked the sucker in Napisan for two hours and now there’s not a mark to be seen. There’s very little that can’t be fixed by a good soak, including my mindset.

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The wear however, can’t be fixed with a soak. It was obvious it would have to be fully lined, so I just used white cotton lawn. I’m used to lining bodices and do it all the time, but I very rarely line skirts. Which took a bit longer than usual because I had to use my brain to consider how I would add the pockets and finish the hem (the lawn is only 108cm wide compared to whatever the width of a single sheet is. Wide). I really should have lined the sleeves too, one is way more faded than the other due to the tetrising I had to do to get Mr Stay Puft on both sleeves.

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Still, it came out ok. I reallllllly wanted to use the Emery pattern for this, but alas those darted bodice pieces wouldn’t fit on the sheet I had left after cutting the skirt. I could have sacrificed some of the skirt to make them fit, but because the print is so large I was a bit pedantic about the way it was cut. And I wanted that skirt super full. Which is helped out by the lining too.

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In the end I decided on my old faithful tea dress bodice. The princess seams mean you can move the pieces around to get the absolute most out of your fabric. It’s a very old pattern that I inherited from my nanny and has been much altered over the years. It’s the pattern that launched my business and I still sell dresses from it in the shop today. I did have to shorten the bodice slightly and lower the back to get the pieces to fit, but it’s all worked out in the end.

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I ain’t afraid of no ghost.

 

 

 

An Otter Success {Butterick 6483}

Sorry, that was terrible.

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When I was about five years old, I had a pair of PJs with a mandarin collar and frog closures (they are the scrolly buttons) and I adored them. So when I saw Butterick 6483 for the first time, it took me right back to those PJs that I hadn’t thought about for 30 years. That just made me feel really old.

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Obviously I had to have the pattern. Rather than wait for it to arrive in stores here, which takes a bloody long time, I ordered it directly from the US site when they were having one of their $2.50 sales. Hot tip: shipping will most likely cost you more than a few patterns so make it worthwhile.

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Like most of the Big 4 patterns, fitting straight out of the envelope doesn’t really happen. And seeing how nice the fit is on Gertie made me want to go the extra mile. So I grew up and made not one, but two toiles (just of the bodice, I’m not that dedicated). My measurements put me in the 16 so I made the 14 for my first attempt, which was too big at the waist and way too small at the bust. Eeeep. The thought of a full bust adjustment on this bodice almost made me give up on the whole idea, but I persisted and made a 12 with a 2 inch FBA. And what do you know? I got a pretty great fit.

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I could take those waist darts in a bit further, but she’s not bad!

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Now I really need to FBA every pattern that comes my way. Totally worth it.

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As far as construction goes, it’s not as complex as you’d think. The instructions aren’t too bad, which is great because there’s no sewalong for this one. Actually, there’s very little about it on the internet in general, which I thought was strange. Sewing blogs and google are my go to before I start a pattern, just for general feedback and any common problems. The only real problem I had was that I found the collar too big for the bodice. Not once but twice. Because (spoiler) I’ve actually already made another version of this dress but I’m still waiting on my frogs to arrive so it’s yet to see the light of day. But yes, same problem twice. I’ll have to go back and double check that I’ve traced out the pieces in the right sizes.

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Other changes were adding a pocket to the right side seam (because I need at least one) and changing the lapped zipper to a standard one. The pattern also states a hook and eye is required in the notions but then never mentions it again. I’m wondering if it’s supposed to be used to give the frogs extra help where it crosses over? I’m going to add one there because I do get a bit of movement at that point if I raise my arms.

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Should we talk about my major crush on this Tula Pink print? Lets. I loved it from the minute I saw it start making the rounds on social media a few months ago. OTTERS. MOONS. PRETTY THINGS IN DARK COLOURS. I waited not so patiently for it to be stocked online and finally scored myself some from Hawthorne Threads last week. YASSSSS. It’s as beautiful in person as it looks online. Makes me happy.

My other version of this dress is pretty tops also, so I will share it if my frogs ever arrive. C’mon, ebay. Give mama her frogs.

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Sorry Lindy Bop {Tilly and the Buttons Megan Dress}

You know when there’s a sale and something catches your eye, but dammit, it’s out of stock in your size? It’s really not that often that I buy RTW anymore anyway, but every now and then I’ll see a dress in a cool print and think ‘WHHHHHYYYYY can’t I buy that fabric?!’.

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WELL.

Last week one of the lovely ladies in a FB sewing group (hi Sammy!) posted that she’d accidentally ordered two of the same dress, so rather than sending one back, she cut it down and made two of the cutest little girls dresses I’ve ever seen. That print, man. Too good. So I completely copied her (yes, there’s been a bit of that going on lately – stop being so inspiring people!) and ordered the biggest size left on the Lindy Bop website.

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It wasn’t long before it was resting in pieces. Feels so wrong to completely unpick a brand new dress the minute it arrives on your doorstep. Sorry Lindy.

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I’d decided on the Tilly and the Buttons Megan Dress (which can be found in her Love At First Stitch book) because I knew I wouldn’t have a huge amount of fabric to play with. As it turns out, I didn’t use the bodice pieces of the dress at all because they weren’t big enough, just the skirt. And I only just squeezed it out. I did keep the original zip, hook and eye and rings and sliders for potential future projects.

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I tried really hard to avoid placing that sun in the vicinity of my boob, but working with limited fabric meant that she did have to go on the front bodice. I don’t think the placement screams nipple once it’s on though.

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Put in a metal zip because they’re stronger for this style of dress and cool as heck.

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If you’ll excuse my awkward pose and just check out that kinda sorta best matching I could do on the side seam there (and ignore the fact I missed it on the centre back seam). Fit wise it’s actually a bit small because I made a mistake. Gah. The fabric is sateen which means it has that lovely little bit of stretch, so I sized down as I wanted it quite fitted. As it turns out, I didn’t use my brain to consider that this print is a border print, isn’t it? So the stretch is running the wrong way – up and down instead of around. NO. So it’s a wee bit tighter than it should be. Ok for standing, potential wardrobe malfunction if I have to sit. Standing events only please.

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I have no shame in destroying RTW and will absolutely do this again.

Something For The Small Ones {Made Everyday Shorts}

I was creeping around Spotlight recently (as you do) and made quite the discovery. Microfibre quick dry. That’s code for boardies fabric. If you’ve tried to make board shorts before, you would have discovered that the fabric is pretty hard to find. So of course I bought a couple of metres so I could make shorts for the boys.

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Problem was, I no longer have a shorts pattern to fit them. Kids (boys especially) are particularly hard to find patterns for once they get beyond about a size 8. Actually, even RTW is hard to buy for boys after that age too. Apparently they don’t need clothes.

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ANYWAY. Someone had posted the Made Everyday shorts in one of the FB sewing groups I’m in (yes I’m that cool) and I was pretty chuffed to see they went up to a size 10 and had heaps of pattern variations. I made the racer style. Love that curved hem.

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In the past, I would have shuddered at the thought of making all that bias tape, but that has changed recently since I’ve discovered double fold. It doesn’t seem to be as common as single fold, but damn it’s so much easier to work with. I didn’t even mind making my own. I cut my strips 7cm wide, sewed them together at the ends to form a long strips, ironed them in half length ways, opened that up and then folded them in to meet in the middle. Then folded in half length ways again. Hard to describe, very simple to do. I have some of those little triangular bias tape makers but I honestly find this method easier. Weirdly soothing.

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That bias tape runs around the hems and outside of the shorts making them look quite neat and professional. Both boys are the same size in the waist, so I only had to trace off the size 10. Which I may have traced directly off my computer monitor as soon as buying because printing is such a chore. Ha. There’s only two pieces so it’s not hard. They are definitely getting more of these.

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Reinventing Ready To Wear {Ohhh Lulu Romy Bra}

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I do love me some creative strapping on bras and swimmers and have quite a few examples in my wardrobe. My most worn is probably this one piece by Disturbia. I lurrrrrve it. I’ve always been a bit hesitant to try and recreate it when sewing though because it all looks a bit complex and maths have never been my strong point.

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I have some unsuccessful RTW examples. You know the ones that you purchase online, hoping for the best but that just never work? This is one of those:

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I wanted to love it but the shape is all wrong for me. It holds absolutely nothing where it should, the front is too wide, the boning at the sides bends out and the bottom band (or lack of) is useless. It gapes at the back where that strapping sits. Ugh. Then earlier this week I stumbled across this Iron Fist Sports Bra and neeeeeeeded it. My inner nerd loves how the straps look like a spine and ribs. But of course, it’s out of stock. Which got me thinking, could I recreate it myself so I know that it works for me?

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Yeah, worth a try. I already have Ohhh Lulu’s Romy and know that it fits me because I’ve made a couple of versions (here and here). This sort of fancy back would also be ideal for the strappy back of the Sincerely Rylee dress that I made. A bra that’s less ‘ooops you can see my bra’ and more ‘OH YEAH THIS IS MY BRA AND IT’S FANCY AS HELL’.

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And look how pretty it is! The fabric is by Dear Stella. I’ve noticed lately that a lot of my favourite fabric companies (Cotton and Steel and Timeless Treasures also) are coming out with knits. It’s brilliant. I love the prints and the quality is very high too.

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The sparkly strapping is from Booby Traps. As a rule, you’re not really supposed to use strapping as the upper and lower bands on a bra because it’s generally pretty firm – but this strapping is pretty soft and stretchy (more like elastic). I’m thrilled with how it turned out.

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An inside out photo if you’re interested to see how it all fits together. I was a bit haphazard with the whole thing but it worked just fine. I decided to shorten the back band pattern piece where it starts to curve down and narrow for the strapping and back closure. So that whole part has been omitted and the straps start there. The inside isn’t as pretty as the outside but I can deal with that. I’ve lined the whole thing in power mesh for support, as I always do with wire free bras.

I figured out the length of the back straps using the very complex method of comparing it to one of my existing Romys.

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I wasn’t going to bother taking pics of me wearing it because I wanted to wear it right away, but I grabbed a couple when I first put it on this morning anyway. So I do apologise for them being a bit unplanned and rubbish. You can see that it still provides decent support and shaping. The power mesh lining and princess seams help that. I’ve used pale pink hardware cannibalised from an old bra and matching pink bows.

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Ooops – out of focus. Best of a bad bunch. It’s hard to take a pic of your own back. Haven’t even brushed my hair. Cool though, right? Nothing buckling (even though I’m mid adjustment, sorry).

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I’ve worn both the bra and knickers in public all day and am pleased to report that I was super comfortable and everything stayed in place. So that’s a win. I really want to try a swimmy version next, but the thought of having to make all the strapping is daunting!